أسأل، مَن صانع صورة الإبادة؟ أيبيدُنا عدونا ثم يصنع صورة الإبادة نفسها؟ إن هذه الصورة ليست إلا تقمص «مستحدث» لخرائط المستعمرين على أرضنا. نفسهم من رسم خطوطًا بين قرانا وبلادنا، يرسمها حمراء ليحاصر بيوتنا
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This blingual zine collects analog photography and text by Fatima Joumaa, documenting scenes from South Lebanon during and after the war of the support front for Gaza, and interrogating the role of photography between witnessing and remembrance.
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This body of work documents key events of war in Jabal Amel and Beirut’s southern suburbs from September 2024 to February 2025, combining observational images with written texts.
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Fatima ’s “A Girl, Gazing: Fragment #5” is weaved from images and videos taken at funerals in South Lebanon as the brutal Israeli war escalated in 2024.
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With the rapid expansion of the Israeli aggression on southern Lebanon, the Beqaa, and the suburbs of its capital, is there even time for the people of these areas to think about their bags at all?
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Scenes of return in several towns and villages in southern Lebanon, one month after the ceasefire agreement in Lebanon.
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These photo stories recount the first moments of injury among civilians in southern Lebanon and refugee camps in Gaza, and how they live these days with their wounds.
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Two Lebanese photographers convey their observations from the streets of Tehran, capturing the voices of the city’s residents and how they adapt to life under aggression.
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Until 1948, the economy of Jabal Amel was tightly bound to Palestine. In the collection "Pages from the History of Jabal Amel," Lebanese historian Suleiman Takieddine remarked that “Southerners knew Haifa better than they knew Beirut.”
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Lebanese photographer Fatima Joumaa stays with her community amid Israel's assault.
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Between Confrontation and Erasure: Palestinians and the Lebanese Entity
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